For examples of scripts written in the 1990s by Hunter, click here: 1990s Scripts
Coming out of the pitch room at Story Expo in New York
At the NOVA International Film & Music Festival in the Mosaic District of Northern Virginia
The Socially Relevant Film Festival in NYC sponsored an online scene reading from MARIA ISABELLA SILVALESSA
Hmmm. That looks like the George Healy portrait of Abraham Lincoln and the State Dining Room fireplace at the White House! Impressive, but that doesn't have anything to do with screenwriting...?
Do you spend every holiday season at the White House? That's obviously the Blue Room.
Okay, so you've been to the White House a few times. We get it. That's clearly the official Kennedy portrait in the Cross Hall.
Now in the Entrance Hall (in front of the stairs up to the private residence and the Obama portrait) -- in SMU colors this time. Is that somehow the/a theme?
And now randomly in the East Room, in front of the Landsdowne portrait copy of George Washington painted by Gilbert Stuart -- the one that Dolley Madison and others saved during the burning of the White House in 1814!
That's a nighttime photo of you in front of the Oval Office walkway by the West Wing (and in front of the Rose Garden)
Okay, we'll give you that one. That one is pretty good. (Wait another minute -- who is this talking?)
And back outside, this time with bunting only on the Truman balcony railing...
With the "Remember the Future" Firefly trophy from the World Film Festival in Cannes for COUP OF ME. (Finally, back to something that has something to do with screenwriting!)

About Hunter Ridgway

In 1990, Hunter Ridgway began studying and cataloging fundamental and advanced elements of how to write an engaging, moving, screen story, and the endeavor continues to this day. While working full-time in the political arena in Washington, D.C., Hunter wrote several scripts during the 1990s; four screenplays for lower-budget production in D.C., the mid-Atlantic region, and New York during the 2000s; and several screenplays for commercial marketing during the 2010s and 2020s. He continues to be engaged in the latter effort, as well as fundraising for production of the middle group of scripts.

During this decades-spanning writing, Hunter meticulously outlined and strategically ordered creative, thought-provoking, screen story writing points spanning the topics (and delving into the subtopics) of visuality, conflict, pressure, emotional journeyism, motivation, characterization, backstory, complications, suspense, momentum, timing, subtext, crisis points, theme, dialogue, and writing style, among other elements.  In 2017, he launched Pen It by Hunter Ridgway screenwriting classes to engage other writers and share information about what makes a great story.

A native of Jackson, Mississippi, Hunter grew up in Nashville, Tennessee and Mobile, Alabama. He earned a B.A. in economics from the University of Virginia and is a law review graduate of Southern Methodist University (SMU) law school in Dallas. He is a member of the State Bar of Texas, the District of Columbia Bar, the U.S. Supreme Court Bar, and the Capitol Hill chapter of the Federal Bar Association. Hunter served as a Congress-Bundestag/Bundesrat staff exchange member during the 112th Congress, a John C. Stennis Center for Public Service Leadership congressional fellow for the 114th Congress, a Hoover Institution congressional fellow in the 115th Congress, and a Woodrow Wilson Center foreign policy fellow in the 116th Congress.  He is a member of the National Writers Union, the Middle East Institute, and the Philadelphia-based Foreign Policy Research Institute. Hunter lives on Capitol Hill in D.C.

At the Austin Film Festival with his AFF semifinalist script, MARIA ISABELLA SILVALESSA, which won Best Original Feature Screenplay at the London Independent Film Awards, Best Feature Screenplay from the Festigious International Film Festival (Los Angeles), Best Feature Script and Best Concept at the Queen Palm International Film Festival (Palm Springs), Best Screenplay at the Milestone Worldwide Film Festival (Italy), a Festival Winner Award from the Moondance International Film Festival (Boulder, CO), Best Original Screenplay from the Rome International Movie Awards, the Scripting Competition First Place Award from the Socially Relevant Film Festival (New York), a Gold Award from the Latitude Film Awards (UK), an Award of Excellence from Cinema WorldFest (Ottawa), an Award of Merit from the Los Angeles Cinema Festival of Hollywood, a Special Mention Award from the Uruvatti International Film Festival (India) and was also named a Best Unproduced Script by the Nice (France) International Film Festival; the Second Place Winner in the Lake Charles Film Festival (Louisiana); the Second Runner-Up in the Indie Wisconsin Festival; a finalist in the Amsterdam Film Festival, the Oniros Film Awards (New York), the Omaha Film Festival, and the Southeast Regional Film Festival (Jacksonville); a semifinalist in the Big Apple Film Festival, the StoryPros International contest, the Los Angeles International Screenplay Awards, the Page Turner feature & TV pilot competition (Santa Monica), the Courage Film Festival (Berlin), and the New Renaissance Film Festival (London); an official selection of the Prisma Rome Independent Film Awards, the Austria International Film Festival, The Hague Global Cinema Festival, Film Fest International Milan, the North Europe International Film Festival, the CKF International Film Festival (Swindon, UK), the Alaska International Film Awards, the Woodbury Film Festival (Salt Lake City), the NOVA International Film & Music Festival, and the Heart of England Film Festival (Birmingham); a quarterfinalist in the PAGE Awards, WeScreenplay feature contest, ScreenCraft screenplay competition, Shore Scripts feature competition, and the Richmond International Film Festival; and the sole Honorable Mention script in the Kay Snow Writing Contest in conjunction with the 49th Willamette Writers Conference
In the pitching “bullpen” at ScriptFest in Los Angeles
Hunter’s I HATE THE SMART ART CLUB! screenplay, an official selection of the Houston Comedy Film Festival, the Atlanta Comedy Film Festival, the Austin Comedy Film Festival, the Reno Comedy Film Festival, and the SoCal Film Awards
The L.A. Comedy Film & Screenplay Festival sponsored a scene reading from Hunter’s ELEANOR OF ELLENDALE OF EARTH screenplay, which won Best Feature Screenplay at the Glendale (CA) International Film Festival and was a finalist in the Miami Screenplay Awards; a semifinalist in the Portland (OR) Screenplay Awards; a quarterfinalist in the ScreenCraft Comedy screenplay competition, the Vail (CO) screenplay competition, and the Filmmatic Comedy Screenplay Awards; and an official selection of the Marina del Rey Film Festival, the Culver City Film Festival, the Georgia Comedy Film Festival, and the Seattle Film Festival
With certificates for ELEANOR OF ELLENDALE OF EARTH from the Glendale International Film Festival
Festival-winning awards from the World Film Festival in Cannes for Hunter's COUP OF ME screenplay, which was also a finalist in the Los Angeles International Screenplay Awards, the Mystic (CT) Film Festival, and the Las Vegas International Film & Screenwriting Festival; a nominee at the Swiss Alpenglow Film Festival; an official selection of the Swedish International Film Festival, the Film Festival International Canterbury, and the Burbank International Film Festival; a quarterfinalist in the Santa Barbara International Screenplay Awards; and an Honorable Mention script in the Big Apple Film Festival and the Wallachia (Romania) International Film Festival
That is the State Dining Room, and apparently you're back in it in different holiday dress! Again, the relevance to screenwriting is what...?
Still in the Cross Hall, but this time in U.Va. colors. Once again, is there a reason...?
Okay, there's clearly no theme here. You're outside the South Portico, which is decked out in what looks like 4th of July bunting.
Wait a minute. While you are clearly back in the State Dining Room in this one, you appear to be walking essentially away from the West Wing, and that whole "memo"-carrying thing looks at least a little staged.
Back in front of the Landsdowne GW portrait copy in a different tuxedo...? Are/were you the James Bond of the White House?
That's in front of the East Wing entrance. We'll give you that one too.
Holding the Moondance International Film Festival winner certificate for MARIA ISABELLA SILVALESSA
With the Swedish International Film Festival award for COUP OF ME in the historic George E. Shockley house in St. Michaels, MD
For examples of scripts written in the 1990s by Hunter, click here: 1990s Scripts
Coming out of the pitch room at Story Expo in New York
At the NOVA International Film & Music Festival in the Mosaic District of Northern Virginia
The Socially Relevant Film Festival in NYC sponsored an online scene reading from MARIA ISABELLA SILVALESSA
Hmmm. That looks like the George Healy portrait of Abraham Lincoln and the State Dining Room fireplace at the White House! Impressive, but that doesn't have anything to do with screenwriting...?
Do you spend every holiday season at the White House? That's obviously the Blue Room.
Okay, so you've been to the White House a few times. We get it. That's clearly the official Kennedy portrait in the Cross Hall.
Now in the Entrance Hall (in front of the stairs up to the private residence and the Obama portrait) -- in SMU colors this time. Is that somehow the/a theme?
And now randomly in the East Room, in front of the Landsdowne portrait copy of George Washington painted by Gilbert Stuart -- the one that Dolley Madison and others saved during the burning of the White House in 1814!
That's a nighttime photo of you in front of the Oval Office walkway by the West Wing (and in front of the Rose Garden)
Okay, we'll give you that one. That one is pretty good. (Wait another minute -- who is this talking?)
And back outside, this time with bunting only on the Truman balcony railing...
With the "Remember the Future" Firefly trophy from the World Film Festival in Cannes for COUP OF ME. (Finally, back to something that has something to do with screenwriting!)